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APPRENTICE AUTOBIOGRAPHIES, PROGRESS, AND WORDS FROM THEIR MENTORS
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The best references for our apprentice-mentor training come from others like you with the same interests and goals who are going through or have completed their training.
Take a look at some of the varied and interesting backgrounds of some of our apprentices (past and present) in their own words. Although not a requirement, these autobiographies were submitted by those who chose to do so during their initial screening. Their resumes and bios helped in the interview process as an introduction and also as an affirmation of what they plan to accomplish and why. It's proven to be quite a motivating exercise for the candidates, and helps to foster a beginning rapport with their prospective mentor.
Maybe you'll see a little (or a lot) of yourself mirrored in some of their stories, so be challenged or inspired. They did it...they're doing it. And so can you!
**To proceed directly to the application, click HERE to begin the process.**
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CLICK ON ANY INTRO FOR THEIR FULL BACKGROUND AND PROGRESS
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CHARLINE COLEMAN - 34-year-old laborer who has had a lifelong dream to be involved in music recording. "I have helped some local artists; they liked the results, but I know it could have been better."
"Hey how is everything going? I am just getting over the flu. However I have lost no studio time. This happened during my vacation. Every weekend, I have hands on training in the studio, with Gary Sanning, owner of Sound Imagery.
With this new found freedom, I don't mind going to work at all anymore. Though I know there is much to learn still, there seems to be a calm over the rest of my life. I have met a few clients and have been fortunate enough to witness some editing and a few sessions. Interact with the clients and get to know their personalities. So in a way I am learning all around Business etiquette, which will help me in the future. Well, I will keep you posted of future happenings. Again I appreciate this opportunity and thank you."
"Sorry it has taken me so long to send an update. However, I have been very busy. Which is a good thing. On the 15th of December I had my first session, which actually went into several days. I was able to guide the clients through proper hook-up, getting levels set, and recording their performance. Studio etiquette definitely plays a grand role in the business. You have to listen to the client(s), get their input and help correct any problems. I was very excited, and since have assisted in two more sessions. This is just the beginning. Well I will try to keep in touch on a regular basis. Again thanks for everything."
"Charline is a wonderful student. I could use another good producer/engineer so I have already decided to hire her as soon as she handles her first session on her own. That's always my test for my engineers.
Thanks for everything,"
Gary Sanning
SOUND IMAGERY
Elida, OH
Click here for complete bio.
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BRENDAN ROGAK 20-year old auditor, musician and psychology major at NYU.
"The work in the studio is going better than I ever could have hoped. A.J., my mentor, is one of the friendliest and most easy-going people I've ever met. He is serious and dedicated to what he does and I admire that. We clicked instantly, and we're very quickly building a serious rapport. He and I meet every Saturday at his studio (a converted storefront which also has living space and a cat) from noon to whenever.
The instructional part of the session is great, we spend about half an hour going over the homework, delving into why the correct answers are indeed correct. He has tons of experience and already I feel I've benefited. All in all I'd say we spend about two hours talking about the information from the week's chapter and related theory and practice. A lot has to do with acoustical theory and he refers often to his knowledge of live sound setup and maintenance, which helps greatly.
The rest of the day is spent in front of the computer. He brings up whatever project on which he is currently working (right now it's a rapper named Wreckless) and we mix and tweak and we both offer input and suggestions. I'm already developing a feel for the software and a sense of the structure of frequency in sound.
In short, I like my mentor, I love the studio, and I'm so glad to be learning."
Click here for complete bio.
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MICHAEL DASH, a 26-year-old marketing director who has always considered a career related to music in some form or fashion. "I had been playing drums, recording, and writing lyrics for my group the past five years, I decided I was going to enroll in RTVF (radio television film) courses when I started college..."
"I am amazed at how quickly things are progressing in such a short period of time. I had a successful interview with the renowned studio owner/producer, Mack Damon of Rhapsody Studios here in San Antonio. When I arrived at the studio, I entered a completely new atmosphere in which I felt excited and apprehensive at the same time.
There were sessions going on in both studios which gave me the opportunity to actually observe a two time winning Latin Grammy Artist perform in the recording booth while sitting with Mack at the controls of the mixing board. Before I knew it, a half hour had gone by and I was answering the business line. One of the highlights for me occurred at someone else's expense when a caller was inquiring on a position at the studio only to find out there were none. I felt as if I already had an edge, which I owe to the Get A Mentor program.
My mentor producer/engineer Matt, also known as Mack Damon, gave me insight as to what is genuinely the most important element in this business on my first day in the studio. This gave me the impression that he is looking out for my best interest, which is something I appreciate
. As of now, I am far from completing this apprenticeship, but I have already gained a new respect for music and recording as a whole. Before I was involved in this program I focused on what I now see as the tip of the iceberg. I can now see that music is more dynamic than I ever imagined."
Click here for complete bio.
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DANIELLE DILLON was a 22-year-old floral 'technician', when she applied to our program. She had worked for Duplication Services, Inc. duplicating master tapes from shows such as "The Sopranos", "Sex in the City", MTV's Fear and Real World, etc. for clients HBO, MTV, VH1, Lifetime, Outdoor Network, etc. and distributing to their affiliates and syndicates across the country. She also attended the Connecticut School of Broadcasting in the spring and summer of 2000.
"Every day I wake up and realize that there is nothing in this world, nothing I repeat, that I would rather do than make music....I've played guitar for many years, so you can imagine all the dreams of being a rock star that I've had all my life. But, we all know that if AC/DC ever went pop they would never be held in the same light again. So, what does one do when one loves to play guitar but loves twenty different styles of playing guitar? What do you do when you go into Tower records and walk out with Megadeath's Greatest Hits and DMX's Dark and Hell is Hot? ...You become a producer, an engineer (in my case both because I want to know as much as humanly possible about both)."
"Sorry I haven't been checking in. I have been SOOOO busy and learning so much from Pieter. Just to give you an idea of how busy I have been... Pieter and I have a meeting with Clive Davis in NY within the next month. Clive wants to sign him to his label. If that isn't SUCCESS I don't know what is. I am going to meet CLIVE DAVIS!!!"
"I remember when Get-A-Mentor first asked me to be a mentor and I said no at first
I look back now and think wow, I'm glad I reconsidered it and am really happy I said yes.
It has been a great experience to teach my student, Danielle Dillon. We have been through a lot in the past six months and it has been a pleasure to watch her grow and see how she has learned to be a recording engineer. Now after all this time she has even gone on the road with THE DRIFTERS and has been the only one in charge of their live shows doing their sound! I am so proud of her! Very soon she expects to go back home and build her own recording studio and to tell you the truth, I think she is ready to do just that! I sit back and watch her run The Drifters shows and recording sessions and marvel at how well she does it. Again, thanks for the chance to experience something like this.
Take care "
Pieter Holland
Rock n Roll Ranch Studios
Las Vegas, NV
Click here for complete bio.
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NIKOLAS MAZZOLA - 20-year-old cook whose goal is to become a recording engineer/sound technician.
"While most kids in my class considered this their last days of irresponsibility before college, I in fact considered it the beginning of responsible living. My first desire was to move to San Diego. I constantly worked forty-hour a week shifts, since my goal was to be on my way to California by the time my 99 class graduated. I finished school one semester early intentionally to give me a head start in the real world
Using an integrated rhythm machine, such as an MPC-2000, combined with live guitar and turntable techniques, we created experimental styles. Playing with a live band opened the door to structure and mutual creativity."
"I was set up with a meeting with Rick LaFave, the Executive Producer at Superior Entertainment, a state of the art digital studio. I began my apprenticeship. Rick is an excellent musician, midi master, ProTools wiz and was teaching me everything with paying clients in the foreground.
Eight months later I have great experience with all studio equipment, but most important with paying clientele and a working producer. Get-A-Mentor did indeed guide me into this crazy industry and now it's up to me to network and learn more at every session until one day I'm a mentor in my own successful studio."
Click here for complete bio.
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